Gray Day // Letters From Camp

by Paul Hostovsky

Gray Day

It’s the almost that I love

about a gray day

like today. In weather

like this, I almost

feel a kind of joy:

the heavy sky, the feeling

in the air of imminent release.

I feel like I could almost

cry. Cry as I haven’t

since I was a boy.

Because I haven’t let myself.

The overcast sky says almost.

The charged air says could.

You could do this.

You could let yourself go,

feel the thunderous sobs,

wave after wave, shoulders

heaving, lungs emptying

in that jagged way

that almost looks like

laughter. And the hiccuping

like a child that comes after.

It could feel so good,

says this feeling in the air.

Almost like joy, says the sky.

 

originally published in Mostly (FutureCycle Press, 2020), Pitching for the Apostates (Kelsay, 2023) and Late for the Gratitude Meeting (Kelsay, 2019)

Letters from camp

I’ve been reading the letters I wrote to my mother

over fifty years ago from camp—she saved

them all. When she died I found them

in a shoe box in my 9-year-old hand and

voice. A hand so loopy and innocent I could

weep. A voice I know like the back

of a very small hand that used to be mine

 

and somehow still is. The recurring theme

is winning (“We won the baseball game, I hit

a homer.” “We won the swim meet.” “We lost

the tenis tornamint because it was windy and the ball

didn’t go where we hit it.”) And also sugar (“Send

more candy.” “We had fribbles from Friendly’s.”

“Dinner was pizza and coke and desert was

choclit cake. The coke and cake were yumy.”)

 

Winning and sugar. Sugar and winning.

And it occurs to me, though the letters stopped,

the same themes continued for fifty years: winning

at school, winning in romance, winning at work, always

the need to kill it, to destroy the competition. The sugar

that was alcohol, the sugar that was sex, the sweet taste

of every conquest. How despicable I suddenly am

to myself. Only the misspellings are endearing,

those phonetic, understandable, forgivable mistakes.

 

originally published in Mostly (FutureCycle Press, 2020), Pitching for the Apostates (Kelsay, 2023) and Late for the Gratitude Meeting (Kelsay, 2019)

Paul Hostovsky‘s poems and essays appear widely online and in print. He has won a Pushcart Prize, two Best of the Net Awards, and has been featured on Poetry Daily, Verse Daily, The Writer’s Almanac, and the Best American Poetry blog. He makes his living in Boston as a sign language interpreter.